Alaskan Way viaduct, #1 p.2
and/or (Seattle), #4 p.2
Anderson, Guy, #4 p.3
Andrews, Richard, #1 pp.1,4
Angelico, il Beato, #3 p.3
architecture
   as authority, #1 p.3
   as shelter, #1 pp.1
   and desire, #1 pp.1,4
art collectors
   in Seattle, #2 p.4
art critics, #2 p.2
art dealers, #2 p.2
art galleries
   audience for, #2 p.4
   constraints of, #5 p.4
   neutrality of, #2 p.2
   as prisons, #1 p.1
art museums
   as graveyards, #1 p.2
   history of, #2 p.3
art
   accessibility of, #2 pp.1-2, #5 p.2
   audience for, #2 pp.2,3, #5 p.2, #5 p.4
   as a commodity, #2 p.2,5, #4 p.2
   and biology, #4 p.6, #5 p.5
   and elitism, #2 pp.3-4
   and everyday life, #4, pp.1-2, #5 p.6
   and excrement, #1 pp.1,3
   and intuition, #4 p.5, #5 p.2
   and irony, #5 p.2
   and narrative, #4 p.2
   process, #3 pp.1,4-5, #5 pp.5-6
   and religion, #5 pp.1,2,5
   and remediation, #4 pp.1-4
   quality of, #2 p.2, #5 p.6
artists
   and community, #5 p.1,4-5
   economic status of, #2 p.2
   education, #5 pp.1,2,5
   and freedom, #5 p.6
   as intellectuals, #4.p1,6
   romance between, #5 pp.1,5-6
   and power, #5 p.5
   and process, #3 p.3, #4 p.5, #5 pp.3-4,6
   and shame, #3 p.4, #5 p.3,6
   social responsibility of, #2 p.2, #5.p.4
   and vulnerability, #4 p.4, #5 pp.1,3,5-6
   working class, #3 p.1, #4 p.2
Attia, Kader, #2 p.1
Bainbridge Island, #5 p.1
Bataille, Georges
   informe, #1 p.3
Batchelor, David
   Chromophobia, #4 p.1
Baxter, Deb
   “Neutral Nude Part One”, #2 pp.1-2
   “Neutral Nude Part Two”, #3 pp.1,4
   Sweetness, video, #3 p.4
beauty
   and process, #3 p.3
   and the beast, #4 p.2
Bennett, Gretchen
   “You and I Have Memories Longer Than the Road: a philosophy of street art”, #1 pp.1-2
   Dead Christmas Tree, #1 p.1 (ill.)
   Have a Hangover, #4 p.4 (ill.)
   Hello, (exhibition at Howard House), #4 p.4
   and Nirvana, #4 p.4
   and remediation, #4 p.4
Berger, John, #2 pp.1-2, #3 pp.1,4
Berk, Leo Saul, #5 p.4
   “One couple makes time to talk”, #5 pp.1,5-6
bioremediation, #3 p.3
Black Panther Party, #3 p.1
Blouin, Louise #3 pp.1,6
Bourgeois, Louise, #1 p.4
Bowman, Midge, #1 p.4
Brooklyn (New York), #1 p.1
Bruce, Chris, #1 pp.1,4
Buffy the Vampire Slayer, (television show), #4 p.4
Burden, Chris, #1 p.4
Burger, John
   Ways of Seeing, #2 p.1
   and women, #2 p.2
capitalism, #4 p.2
Carr, Emily
   Scorned as Timber, Beloved of the Sky, #4 p.3 (ill.)
   and logging, #4 p.3
cats, #5 p.4
Celmins, Vija, #1 p.2
chamomile flowers, #5 p.3
Chase, William Merritt, #1 p.4
Cobain, Kurt, #1 p.2,#4 p.4 (ill.)
color
   and contingency, #4 p.5
Cornish College of the Arts, #5 p.4
Cowie, Claire, #5 p.4
   “One couple makes time to talk”, #5 pp.1,5-6
craft
   eradication by capitalism, #4 p.2
Craigslist, #3 p.6
creativity
   and censorship, #3 p.5
   and control, #5 p.6
   and faith, #5 pp.1-3, 5
   and mysticism, #3 p.5
   and neurology, #3 p.5
   and the repressed, #5 p.4,6
curators
   limitations of, #1 p.2
   and audience, #1 p.4
   and trust, #1 p.4
Daly, Drew, #3 pp.1,3
   Division: Adirondack Chair, #3 p.1 (ill.)
   Mirror Merge, #3 p.3
   Subject:Remnant, #3 p.3 (ill.)
dancing
   and vulnerabiliy, #5 p.5
Darling, Michael, #5 p.2
Darth Vader, #2 p.1
David, Larry, #5 p.1
de Beer, Sue
   Hans und Gretel Filmstill (pipebomb), #5 p.5
death
   and meditation, #3 p.2
   and movement, #3 p.2
   and the undead, #4 pp.1-4
decay
   and symbolism, #3 p.3, #4 p.3
   and vegetables, #4 p.3
deconstruction, #5 p.2
desire
   and color, #4 pp.1,5
   poetry, #4 p.5
Dion, Mark
   Neukom Vivarium, #4 p.2
Donovan, Tara, #3 p.3
Duchamp, Marcel, #1 p.3, #2 p.4
Elliot, Eric, #1 p.3
Elliot, T.S., #3 p.4
Eno, Brian, #2 p.5
erosion, #3 p.3
excrement, #1 pp.1,3
feminism, #3 p.4, #4 p.6
fermentation, #4 p.3
Ferrari, León
   “Written painting (1963)”, #5 pp.1,3
   Cuadro Escrito, #5 p.3 (ill.)
Flickr, #3 p.6
Fontana, Lucio, #5 pp.3
Fotuhi, Majid, #3 p.6
Freize Fair, the, #3 p.6
French Revolution, the, #2 p.3
Freud, Sigmund, #1 p.1
Frye Art Museum, history of, #1 p.4
Fu Dogs, #2 p.1
Gas Works Park, #1 p.3, #4 pp.2-3
genocide, #1 p.3
Global Creative Leadership Conference, the
   anecdotes, #3 pp.1,6
Gonzalez-Torres, Felix
   Untitled (Perfect Lovers), #2 pp.5-6 (ill.)
Grade, John, #4 p.3
Graves, Morris #4 p.3
   Bird Sensing the Essential Insanities, (1944), #4 p.4
   Bird Experiencing Light, (1969), #4 p.4
   Wounded Gull, (1945), #4 p.4
Greenwood, Wynne
   New Report, #3 p.4
Greer, Mandy
   Phoenix, #2 p.4 (ill.)
Guangyi, Wang
   Cold War Aesthetics, #3 p.6
Guston, Philip, #5 p.1
Haacke, Hans, #1 p.4
Haag, Richard
   Blodel Reserve, #4 p.3
   Gas Works Park, #1 p.3, #4 pp.2-3
   and ruins, #4 pp.2-3
Hamilton, Ann, #1 p.4
Hansen, Eli
   on architecture and pornography, #1 pp.1,4
   exhibition at the Helm gallery, #4 p.3
Hardy, K8
   Burning Mud Women Mud Wrestling, #3 p.4
   Fashionfashion, #3 p.4
   and queer politics, #3 p.4
Harries, Karsten, #2 p.5
Harris, Jim, #3 p.1
Hasting, Lord Michael, #3 p.6
Heishman, Jenny
   “Do you believe in heaven above, do you believe in love?”, #5 pp.1,5
   Mud Thing, #1 p.3 (ill.)
   skepticism of romanticism, #1 p.3
Held, Robin, #1 p.4
Helm Gallery, #4 p.3
Henry Art Gallery, history of, #1 p.4
Hewitt, Corin
   exhibition at the Seattle Art Museum, #4 p.3
Hill, Gary, #1 p.4
Hinrichs, Heide
   “Only There”, #2 pp.1,5
   masthead, #2 p.1 (ill.)
homosexuality
   and the Northwest school, #4 p.3-4
honesty, #4 p.6
horses, symbolism of, #5 p.1,5
   physiology and psychology, #5 p.5
Howard House, #1 p.3, #4 p.4, #5 pp.4-6
Ingres, Jean Auguste Dominique, #3 p.4
intution, #4 p.5
Judd, Donald, #3 p.1
kabbala, #3 p.5
Kangas, Matthew, #4 p.4
Kapoor, Anish
   Cloud Gate, #2 p.4 (ill.)
KAWS, #1 p.1
Keinholtz, Ed and Nancy, #1 p.4
Klein Yves, #5 pp.3
Lawrimore Projects, #1 p.3, #5 p.4
logging
   aesthetics of, #4 p.3

Mabuse, Jan, #3 p.4
Louise Blouin Foundation, #3 pp.1,6
Lundgren, Greg
   “The Waiting Room”, #4 pp.1,6
Manzoni, Piero
   Merda d’artista, #1 p.3
Marxism, #3 p.1
mass culture, #4 p.2
Mattise, Henri, #4 p.5
MacGyver, #3 p.6
McMakin, Roy
   Purplish, #3 pp.1-2
   and gay pride, #3 p.2
   religious themes, #3 p.2
metaphysics
   neurological basis, #3 p.5
   versus dialetics, #1 p.2
Metropolitan Club, The (New York), #3 p.6
Meyer, Elizabeth, #4 p.4
middle class
   and myth, #4 p.2
Miller, Steven
   Wedding between Steven Miller and a pile of dirt, #1 pp.1 (ill.),3
misogyny, #4 p.6
mistakes, #5 p.6
Mitchell, Jeffry
   Black Fu Dogs, #2 pp.1,5-6 (ill.)
   nude drawing, #3 p.4 (ill.)
   “Roy McMakin’s Purplish as I remember it”, #3 pp.1-2
   sexual themes, #2 p.5
Mlodinow, Lenoard, #3 p.6
modernism
   in public art, #2 p.3
   and religion, #2 p.5
Moule, Sara, #3 p.6
Mutharika, Bingu wa, #3 p.6
naturalism, #4 p.2
nature deficit disorder, #3 p.6
Neckface, #1 p.2
Netherlands
   tulip mania, #2 p.3
neuroaesthetics, #3 p.5
neurology
   increasing cognitive function, #3 p.6
nude verses naked, #2 p.2, #3 p.4
Nyland, Nicholas
   masthead, #3 p.1 (ill.)
   Nowhere, Anywhere, Everywhere, (exhibition), #4 pp.1,5
   Reticulum 6, #4 p.1 (ill.)
   and color, #4 pp.1,5
Offenbacher, Matthew, #5 p.4
   “Black Fu Dogs”, #2 pp.1,5
   “Green Gothic”, #4 pp.1-3
   masthead, #1 p.1 (ill.)
   “The Underground tour”, #2 pp.1,3
Ohge Ltd. gallery, #4 p.1
One Percent For Art, #2 pp.3-4
painting
   and emotion, #5 pp.1-3
   and reverence, #5 p.2
   perception of, #5 p.2
   and writing, #5 pp.3
Park, Joseph
   “Spokane Interview”, #1 pp.1,4
parks, #1 p.2, #2 pp.1-2, #4 pp.1-3
Penn Station, #1 p.2
Peters, Mary Ann
   “The Split: notes on fear and subliminal forces run amuck or tamed”, #5 pp.1,4
Peterson, Erik
   “In defense of painting”, #5 pp.1-2
photography
   cameraless, #3 p.1,5 (ill.)
   and fiction, #3 p.3
Picasso verses Duchamp, #2 p.4
Piecuch, Joey
   exhibition at the Helm gallery, #4 p.3
Pike Place Market, #1 p.2
Pioneer Square, #1 p.1, #3 p.1
Piper, Adrian
   “Cheap Art Utopia”, #2 pp.1-2
Pisano, Ron #1 p.4
plastic water bottles
   wastefulness of, #3 p.6
poetry, #4 p.5
pointillism, #1 p.3
political art
   and doubt, #2 p.5
pornography, #1 pp.1,4
portraiture, #5 p. 5
Pothast, Emily Ann
   “Fleeting Moments in an Infinite Flux: artists and other windows on eternity”,#3 pp.1,5
prisons, #5 p.4
public art
   artists’ income from, #2 p.4
   compared to gallery art, #2 pp.1,4
   and modernism, #2 p.3
   and private expression, #5 p.5
queer politics, #3 p.4, #4 pp.1-4
Rainier Beer, #1 p.2, #3 p.1
Real Life (pop band)
   Send me an angel (1983), #5 p.1,5 (ill.)
religion
   artistic expressions of, #4 pp.3-4, #5 p.5
remediation, #4 pp.1-4
Richman, Elise
   “Nicholas Nyland’s Fall into Color”, #4 pp.1,5
Richter, Gerhard, #5 p.2
Robb, Susan
   biodigestor, #1 p.3
   “Socialites, Scientists, and Big Leather Handbags: the Global Creative Leadership Summit”, #3 pp.1,6
   nature deficit disorder, #3 p.6
   visual literacy, #3 p.6
Rockefeller Center, #2 p.3
romanticism
   in European history, #1 p.3
   skepticism of, #1 p.3
   in the Northwest, #4 p.3
Rosler, Martha
   “Untitled Statement (1977)”, #4 pp.1-2
Rucker, Paul, #5 p.4
Rushdie, Salman, #3 p.6
Ruskin, John
   “The Nature of the Gothic”, #4 pp.3-4
   pathetic fallacy, #4 p.4
same sex marriage, #1 p.3
Saranac Art Project, #1 p.4
scholar’s rocks, #4 p.5
Schweder, Alex, #1 p.3
Seattle Art Museum, The
   history, #1 p.4
   Target Practice: Painting Under Attack 1949-1979, #5.p.2
Seattle
   art museums, #1 pp.1,4
   parks, #1 pp.3
   sewers, #1 pp.1,3
Serra, Richard, #3 p.1
Seward Park, #1 p.3
sex
   and the impulse to make art, #4 p.6, #5 pp.3
   and lizards, #4 p.5
   and painting, #5.p.2
   for recreation, #4 p.6
sexuality
   and architecture, #1 pp.1,4
   and representation of bodies, #3 p.4
   and shame, #3 p.4
Sienna, James, #5 p.2
Simone, Nina, #1 p.1
Skagit County, #4 p.3
Skinner, B.F., #1 p.2
Smells Like Teen Spirit, (song), #1 p.2
Smithson, Robert
   “Cultural Confinement”, #1 pp.1-2
   and entropy, #3 p.3
   400 Snapshots of Seattle Horizons, #1 p.2 (ill.)
   Spiral Jetty, #3 p.3
Snyder, Gary, #3 p.5
Stadler, Matthew
   the regime of the picturesque, #1 p.3
Star Trek Next Generation, (television show), #3 p.6
Stein, John, #3 p.6
symmetry
   and mirrors, #3 p.3
   and energy, #3 p.5
Tamura, Maki, masthead, #5 p.1 (ill.)
Tate Gallery, The, #3 p.4
Tennis, Whiting
   “This Head Mechanism”, #4 p.5
   erotic drawing (ill.), #4 p.5
Terminator, The, (movie), #1 p.2
Theory of Relativity, the, #3 p.3
time
   and decay, #3 p.3
   and decomposition, #3 p.2
   as stasis, #3 p.2
Tinguely, Jean
   “Untitled Statement (1961)”, #3 p.1
Tobey, Mark, #4 p.3
totem poles, #2 p.3 (ill.)
Trouvelot, Etienne Leopold, #3 p.1
   imaging of electric discharges, #3 p.5
Turrell, Jim, #1 p.4
Twilight, (movie), #4 pp.1-2
Underground Tour, the, #1 p.1
United Nations, The, #3 p.6
utopia
   and irony, #1 p.3
   and sculpture parks, #1 p.2
vampires, #4 p.1-2
Veltkamp, Joey
   “It Began with a Chair...”, #3 p.1,3
Vigeland, Gustav, #2 pp.1 (ill.),2
visual literacy, #3 p.6
Volunteer Park, #1 p.4
vulnerability
   and making art, #4 p.4, #5 p.4
   in painting, #5 p.2
Warhol Museum, The, #3 p.4
Washington State University, #1 p.4
Ways of Seeing, #2 pp.1-2, #3 pp.1,4
Webb, Dan
   “I Heart Public Art”, #2 pp.1,3-5
West Village (New York), #3 p.6
West, Harvey, #1 p.4
Western Washington University, #2 p.1
Wikipedia, #3 p.6
Wings of Desire, (movie), #4 p.1
Wolfe, Sylvia, #1 p.1
Wonder, Stevie, #1 p.2
working class, #3 p.1, #4 p.2
Wyeth, Andrew
   Farm road (1979), #5 p.2 (ill.)
   Remembrance (exhibition), #5.p.2
   as populist, #5.p.2
Yoder, Robert
   Send me an angel (exhibition), #5 p.1
   on display, #5 p.5
YouTube, #5 p.1
Zeki, Semir, #3 p.5
Zizek, Slavoj
   On Belief, #1 p.3